The
ancient Greeks told of a certain Teiresias, a legendary
blind seer, born a man, who was miraculously transformed
into a woman, returning to his male form only after
having lived eight years as a woman. Later, according
to the story, the divine royal couple, Zeus and Hera
turned to Teiresias to help them settle an argument.
Each of them, it seemed, claimed that the other derived
more pleasure from sex. Since Teiresias had the benefit
of experience in both sexes, they asked his opinion.
Without a moment's hesitation, Teiresias answered
that a woman obtained far more pleasure from sexual
relations than did a man. Hera was angered at this
disclosure and punished Teiresias by blinding him;
but Zeus compensated Teiresias by imparting the power
of prophecy and by granting Teiresias a life lasting
seven generations. For the Greeks, Teiresias' sex
change was quite apart from Zeus' intervention, the
clue to his miraculous gifts and in time, he came
to be described as the "greatest of the mythical
seers."(Cohen 77-97)
The
story of Teiresias is not the only example, however.
On the contrary, the idea of gender reversal or gender
crossing frequently occurs in ancient religion and
mythology, as well as in ancient rituals, and has
recurred in diverse societies in every era. But the
significance attached to gender reversal varies greatly,
depending on the context, the specific form of the
reversal, and the given gender culture. In this paper
I will attempt to describe and define the aspects
of gender crossing in early Christianity.
Roman
and Greek societies, from the first through the fifth
century, are responsible for determining gender crossing
within early Christianity through the patterns of
gender relations and gender expectations. Both societies
defined their prototype of maleness using his role
as warrior or statesman-citizen whether of war or
politics whether or not the quest for honor was an
important factor to masculinity. In public places
where you could find men congregated such as athletic
fields, the assemble, the courts and the town square
as well as on the battlefield, acknowledgment to male
honor could be staked out along with being wither
won or lost. The quest for honor was cynical. Every
interaction between equals that was viewed by others
could be looked at as a sort of contest for honor.
These contests included that of something as simple
as a dinner invitation or as complex as an arranged
marriage. The winner of this honor was the opinion
of the public. Ritualized recognition of honor could
be secured through military duties, public trials,
participating in debates, holding public office and
participating in assemblies.
Honor
is both public and masculine. The aggressive search
for honor and the willingness to compete for it along
with the determination to avenge dishonor onto another
came to be the definition of a masculine character.
Because the ideas of masculinity evolved from the
notions of warfare, the military virtues of courage
and loyalty and the search for honor and victory became
the characteristics of masculinity. Not surprisingly,
those traits that defined masculinity - aggressiveness,
dominance, a desire for precedence, and a willingness
to defend one's reputation - were the traits needed
for success in the battle for honor.
These
rules which were defined by the quest for honor became
know as a set of virtues which guided men in their
civic duties. For the Greeks, these virtues consisted
of courage, justice and self-control. The Romans added
prudence to their list. Although, writers considered
these set of virtues the universal code of virtue,
they were still rendered masculine due to the origination
of the practices they were associated with. Due to
all of the codes of virtue being masculine, no language
for female achievement ever originated among the Greeks
and Romans. Because of this, any influential Greek
or Roman matron of political authority was deemed
having "manly" virtues of courage and self-control
or having a masculine mind.
The
aspect of femaleness did not preoccupy Greek and Roman
intellectuals. It was to the extent that femininity
was the exact opposite to masculinity. A woman was
looked at as being domestic along with the activities
and domain having a private setting. This was to ensure
that women were set apart from any public activities.
Feminine virtues were described with chastity, silence
and obedience. "Since women were defined by their
sexual roles as wives and mothers, the principle virtue
of womanhood was chastity; it alone constituted the
foundation for a woman's honor."(Aristotle 113)
Although
a woman's honor was determined by her chastity, it
was not an honor that could be enhanced or advanced.
This form of honor was passive and must be protected.
To protect her honor, a woman would find herself focused
on the preservation of sexual reputation. Since a
woman's chastity was not easy to judge by the public,
it was depicted by the dress, grooming, makeup and
how often she was seen in public. Young girls were
often taught to retain a feminine personality, to
be discreet, shy, restrained and timid, all qualities
which depicted a socially chase woman.
It
was also a version of honor for a woman to have a
sense of shame. A woman without any sense of shame
reflected that she had no concern for her reputation
and therefore lost any public honor that she at one
time might have possessed. The foundation for having
this shame was based on the woman suppressing her
sexuality and having the sense of inferiority, the
basis of her subordination to her husband. Although,
courage is commended by both men and women. The difference
thought is, men show it by commanding a woman and
by a woman obeying. A virtuous woman was depicted
by her serving and obeying her husband along with
wanting to please him. The virtue of silence was also
a measure of a woman's subordination but more importantly,
a method of denying participation in social events.
"The defining qualities of womanhood, chastity,
passivity, and subordination, could be sustained only
as long as women were circumscribed within the world
of the household."(Torjesen 81)
The
female virtues of chastity, passivity, silence and
obedience did not allow fo the aggressive quest for
honor. This posed a dilemma for the Romans and Christians
by inhibiting praise of women for heroic achievements.
"The only form in which women's stories have
been preserved is in the lives of martyrs and ascetics,
written to honor and praise these women of suffering
for the faith and renouncing the world."(Torjesen
81)
An
example of this might be the martyrdom of saints Perpetua
and her slave Felicity. This is a rare story because
it was written by a woman. It is said that Vibia Perpetua
was a young woman of noble birth. She kept a journal
of her trial and the days in prison. Later an eyewitness
added an account of her death. According to this journal,
shortly before her execution was to take place, Perpetua
received a vision interpreting her anticipated death
in the amphitheater where she would be stripped naked
and thrown to the wild animals before a crowd. In
her vision, her clothes were stripped off, her body
became male and her assistants began to rub her down
with olive oil; she had become a gladiator. Her opponent,
"an Egyptian of vicious appearance," came
out to fight her fiercely and hand to hand. She demolished
his face until he was weakened, and then she placed
him in a headlock. When he finally fell, she placed
her foot upon his chest declaring victory. The trainer
then awarded her the green branch of victory and "she
walked in triumph toward the gate of life."
On
the other hand, the eyewitness tells a different story.
Due to the fact that Perpetua and Felicity refused
to wear the robes of priestesses, they were stripped
naked, placed in a net and left to be eaten by two
wild heifers. Because the naked woman's body symbolizes
weakness and vulnerability, even the on lookers were
"horrified when they saw that one was a delicate
young girl." The two women were then removed
from the arena and had tunics placed upon them. Although
Perpetua was badly wounded, she was still alive. She
was taken from the arena and taken to the executioner's
sword and died there for the faith she believed in.
The idea of Perpetua's gender crossing lies in her
vision of herself as a gladiator in the arena reverses
the meaning of her being thrown to the beasts. Although
both accounts were staged for the pleasure of an audience,
the gender of her body either male or female changes
the meaning of each event. It is true that both Perpetua
and Felicity lay in the arena naked and helpless.
But due to Perpetua's vision of becoming a gladiator,
fighting for victory. She possessed courage, strength
and skill to overcome her opponent. A naked female
body depicts a passive victim not an active athlete
but a naked male body suggests courage, power and
strength as Perpetua had possessed in her vision.
Perpetua
is both shamed and honored in this account of her
execution. She was viciously stripped naked and thrown
in to the arena with the wild heifers disheveling
her hair in the process. Both nakedness and uncontrolled
hair resembles a woman unable to preserve her sexual
fidelity therefore possessing shame. But, Perpetua
as a gladiator, possesses honor through her victory.
She is given the branch of victory and led through
the gate of life, an act only capable of a man. (The
Acts of the Christian Martyrs 108-31)
"By
seeing herself as male gladiator, athlete and contestant
- an identity only possible in a male body - Perpetua
takes the measure of the physical courage and strength
she will need for the very physical spectacle that
will play out in the arena. It is the very physicality
of the experience of the martyrs, the brutal forms
of torture during interrogation and the physical suffering
of their slow deaths that call forth such masculine
imagery." (Tilley 472)
The
gender reversal of her vision makes it possible for
the meaning of her execution to be reversed. She is
a warrior not a victim; she is honored, not shamed;
she is victorious rather than executed. To imprint
such meanings onto her experience as a martyr she
needs a male body. "Women martyrs often reinterpret
the meaning of their nakedness, they refuse the shame
society attempts to inscribe on their bodies and they
use the body itself as a visible symbol of their spiritual
power." (Torjesen 82)
Gender
crossing is also found in writings of early Christianity
such as the Gospel of Thomas and the Gospel of Philip.
However, this type of gender crossing is called cosmic
gender crossing due to the use of gendered imagery
to express notions of sin and salvation. In some of
the earliest versions of Christianity, salvation was
expressed as the overcoming of sexual difference.
This can be seen when Peter makes it obvious that
Mary Magdalene's rights to be counted among the apostles
are void due to her womanhood by saying, "Let
Mary leave us because women are not worthy of life."
Jesus responds with, "Behold, I myself will lead
her so as to make her male that she may become a living
spirit like you males, for every woman who makes herself
male will enter the kingdom of heaven." (Gospel
of Thomas 130) Peter is making obvious the hierarchy
of men over women. Women are socially inferior, making
them unrealistic candidates for the spiritual teachings.
Jesus acknowledges, contests and reframes this notion
of gender. His view is that women are indeed worthy
of life because the social identity as a woman does
not transfer to the spiritual identity. "Social
femaleness is drastically different from that of cosmic
femaleness. It is the belief, that both men and women
are symbolically female until they have entered a
state of salvation.(Torjesen 83)
Femaleness
here signifies a spiritual state in which gender has
not yet been overcome. Unity is symbolized by perfection
while multiplicity and gender difference is understood
as an inferior way of being. Becoming a male signifies
the realization of a spiritual state in which gender
difference is overcome and unity is restored as stated
in the Gospel of Thomas. "When you make the two
into one, when you make the inner like the outer and
the outer like the inner...and when you make the male
and the female into a single one so that the male
will not be male and the female will not be female,
then you will enter the kingdom."(Gospel of Thomas
121)
To
the extent that generic human being is male, that
is rational soul, every description of the Christian
process of salvation is a form of gender crossing
for women. To be saved out of the world of body, flesh,
and sexuality to become an incorporeal, rational soul
is to become symbolically male. In the light of these
traditional notions of salvation, the cosmology of
a female founder of Gnostic school, Phoumene, is quite
striking. She declares that in the original creation
souls were already gendered. Since gender distinctions
exist on the cosmic level, the rational soul cannot
be gendered masculine in the symbolic order, as it
is in Greek philosophy and early Christian theology.
Since it was masculine and feminine souls that fell
into bodies, the process of salvation will restore
men and women to their primal gendered identity. Only
in her system of thought can a woman be saved without
undergoing symbolically some form of gender crossing.(Torjesen
89)
Bibliography
Aristotle.
On politics. pp. 113 & 198
Brittain,
Alfred and Mitchell Carroll. Women Of Early Christianity.
Philadelphia: George Barrie & Sons, Publishers
Cohen,
David. Law, Sexuality and Society: the Enforcement
of Morals in Classical Athens. Cambridge: Cambridge
University Press. 1991 pp. 70-97
Gospel
of Thomas. Logion 114 in The Nag Hammadi Library.
Ed. James Robinson. San Francisco: Harper. 1978 pp.
121 & 130
Tilley,
Maureen A. "The Ascetic Body and the (Un)Making
of the World of the Martyr." Journal of the American
Academy of Religion vol. 59, No. 3 (Fall 1991) pp.467-79
Torjesen,
Karen Jo. Gender Reversals and Gender Cultures: Anthropological
and historical perspectives. Ed. Sabrina Petra Ramet.
New York: Routledge. 1996 pp. 79-89
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